It would be a few years before producers realized that the solution was to simply let Muddy be Muddy, not Jimi. Ironically, he was never able to play these songs on-stage, his own band being unable to replicate their sound, and he was never comfortable with the album. The most interesting of the "new" songs is his cover of "Let's Spend the Night Together" (barely recognizable as the Stones song), which opens with the band sounding like they're in the middle section of "Sunshine of Your Love." Waters pulls this and the rest off vocally, and the album did got him some gigs playing to college audiences that otherwise might not have heard him. The covers of the old songs are OK, if a little loud - "She's Alright" starts to resemble "Voodoo Chile" more than its original, "Catfish Blues," and that's fine if you're looking for Waters to sound like Hendrix (no one has ever explained the "My Girl" fragment with which the song closes, however). Recorded in May of 1968, Electric Mud features Waters in excellent vocal form, running through new versions of old songs such as "I Just Want to Make Love to You," "She's Alright," "Hoochie Coochie Man," "Mannish Boy," and "The Same Thing." But he isn't playing, and the band that is - Phil Upchurch, Roland Faulkner, and Pete Cosey on guitars, Gene Barge on sax, Charles Stepney on organ, Louis Satterfield on bass, and Morris Jennings on the drums - is trying awfully hard to sound like the Jimi Hendrix Experience-meets- Cream, playing really loud with lots of fuzztone and wah-wah pedal.
Muddy waters electric mud album Offline#
Play online or download to listen offline free - in HD audio, only on JioSaavn. King, and this time Leonard Chess' son Marshall conceived Electric Mud as a way for Waters to reach out to the Rolling Stones/ Hendrix/ Cream audience. Listen to Mannish Boy (Electric Mud Album Version) on the English music album Classic Muddy Waters by Muddy Waters, only on JioSaavn. Stream songs including Gypsy Woman, I Cant Be Satisfied and more. Previously, in 1966, Chess Records had recorded Waters' Brass and the Blues, trying to make him sound like B.B. Listen to Can’t Be Satisfied: The Very Best of Muddy Waters 19471975 by Muddy Waters on Apple Music. Meanwhile, the Rolling Stones, Jimi Hendrix, and Cream were selling millions of records each using licks and sometimes songs learned from Waters. By 1968, Waters was no longer reaching black audiences, who were mostly listening to soul music by that time, and he also wasn't selling records to more than a relatively small cult of white blues enthusiasts. Click below and listen to the true Blues songs.This album marks what could probably be considered the nadir of Muddy Waters' career, although at the time it did sell somewhere between 200,000 and 250,000 copies, a lot for Waters in those days. Relive the music of the “Father of Modern Chicago Blues”. Muddy Waters’ music has influenced various American music genres, including rock and roll and rock music. His performance at the Newport Jazz Festival in 1960 was recorded and released as his first live album, At Newport 1960. In 1958, he traveled to England, laying the foundations of the resurgence of interest in the blues there. These songs included “Hoochie Coochie Man”, “I Just Want to Make Love to You” and “I’m Ready”. In the early 1950s, Muddy Waters and his band-Little Walter Jacobs on harmonica, Jimmy Rogers on guitar, Elga Edmonds (also known as Elgin Evans) on drums and Otis Spann on piano-recorded several blues classics, some with the bassist and songwriter Willie Dixon. In 1946, he recorded his first records for Columbia Records and then for Aristocrat Records, a newly formed label run by the brothers Leonard and Phil Chess.
Muddy waters electric mud album professional#
In 1943, he moved to Chicago to become a full-time professional musician. He was recorded in Mississippi by Alan Lomax for the Library of Congress in 1941. Muddy Waters grew up on Stovall Plantation near Clarksdale, Mississippi, and by age 17 was playing the guitar and the harmonica, emulating the local blues artists Son House and Robert Johnson. His style of playing has been described as “raining down Delta beatitude”. McKinley Morganfield (Ap– April 30, 1983), known professionally as Muddy Waters, was an American blues singer-songwriter and musician who is often cited as the “father of modern Chicago blues”, and an important figure on the post-war blues scene.